Don't let the critical tone of the previous paragraph mislead you, Age of Extinction wasn't all bad. Like in previous installments, Michael Bay and the film's writers were able to introduce a host of cool new transformers without severe continuity issues. Among these new characters, two are worthy of mention for being particularly badass.The first of these is Drift, a samurai-themed autobot armed with more than one obscenely huge sword. The second of these is Crosshairs, an autobot paratrooper whose metal exoskeleton includes a long, flowing coat to keep him looking sharp while he fires away with his pair of transformer-sized handguns.
I'd buy that coat if it came in my size. |
It is a little known fact that Bay was the original choice to direct Titanic |
At around 0:40, Optimus Prime goes off on one of the best action rampages I've ever seen in a film, given how he effortlessly switches between a variety of weapons to seamlessly defeat multiple enemies. A variety of camera shots are used to help bring this out, such as the long-distance shot at 0:57 of Prime bringing down two decepticons with his sword in quick succession, shortly followed by a close up of him deploying some sharpened brass knuckles at 1:04 to tear open a final opponent. Finally, the background music for the scene, composed by Steve Jablonsky, adds to the impression of power created by Prime and helps make his rampage a minute of epic screentime.
Bet you never thought you could analyze a Transformers film like that, could you? Well you can, and while you might find that only a handful of scenes from the first three installments match up with the clip above, you certainly won't find anything from Age of Extinction which compares. Any potential for good action is masked by enormous explosions. Plus, as much as I like him, Jablonsky fails to deliver a score with engaging tracks. This is pretty bad news considering that Age of Extinction is the longest installment in the film series, with a running time of 165 minutes. As a director, if you're going all in on action as the means of engaging an audience, you better make sure the action makes up for the simple plot, relatively flat characters and time-worn messages. Sadly, the action in Age of Extinction fails to do this, so it doesn't take long for the film to start dragging as soon as you begin watching it.
Bay is no stranger to criticism, and the box office performance of the Transformers series has usually allowed him and the series' producers to simply shrug it off. The series currently stands as the 4th highest-grossing of all time when averaged to its gross per film of $653m. However, Age of Extinction has experienced a slower box office performance than any of its predecessors. According to Box Office Mojo, on the second weekend following its release, the film had accrued a domestic gross of only $175m. The three previous films, on the other hand, had secured domestic grosses of $224m, $293m and $261m, respectively, after the same length of time. Age of Extinction's slower performance become all the more noteworthy when you consider that its $210m budget is the largest of any film in the franchise.
Age of Extinction's slower box office performance is quite telling. The figures suggest that so far more people have been dissatisfied with the film and, crucially, convinced their friends and family not to go watch it than with any of the previous Transformers films. I would agree with those people: Age of Extinction is not worth the watch. What remains now is to see if this attitude will last long enough to have an impact on the film's lifetime performance at the box office.
Image Sources
1. uk.ign.com
2. collider.com
3. lolshelf.com
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